Week Eight
I'm very interested in what I have to say because everything I said before was to fit somebody else's purpose, and this is the first time I'm talking for myself.
This week we're gonna fight the typographic uniformity to get more variety for the sake of story's clarity and then return to uniformity, but it will all be neatly packed in boxes that have like four different shapes and can be assembled with a hexagonal universal key.
We'll give the finished creation a funny Swedish name, make up a very stylish instruction and sell at Ikea.
This week we're gonna fight the typographic uniformity to get more variety for the sake of story's clarity and then return to uniformity, but it will all be neatly packed in boxes that have like four different shapes and can be assembled with a hexagonal universal key.
We'll give the finished creation a funny Swedish name, make up a very stylish instruction and sell at Ikea.
Weeks eight and nine were the final ones. They were all about making, testing, and re-making. Let me give you a quick look at the scale of things:
Now let's go through all the editions, as they happened, day by day.
Edition 12. New dialogue typography with small icons. An attempt to design narrator text. An even more awkward attempt to design character page.
Some tests for narration text. Seems to work but needs refinement.
"Refined" version of narration that didn't work. In sequence with other spreads.
Ok back to less crazy version.
Final test
